MADE

The screenplay contest that finances itself.

Submit your script. The entry fees become the production budget. The winning film gets made.

Go South Films Micro-Budget Features  ·  Worldwide
Submit Your Script How It Works

Submit your script. We make it.

Every other contest takes your money whether or not a film gets made. We don't. The winning script gets produced - with you, by us, from first draft to final cut. Here is exactly what that means.

01 - SUBMIT
Send us your best micro-budget script

Attach your screenplay and answer three questions about your project. We want the weird stuff. Scripts that take risks and go places most productions won't follow. The film nobody else would make.

02 - REVIEW
A jury of working filmmakers reads the shortlist

Every script undergoes a feasibility review first - can this story realistically be produced as a micro-budget film? Scripts that pass go to our jury. No paid coverage readers. No algorithm. People who have actually made films read your work and make the call.

03 - GREENLIT
Go South Films becomes your production company

The winning writer signs a production agreement with Go South Films. We don't hand you a check and wish you luck. We produce the film together - attaching cast and key crew, making creative decisions in collaboration with you, and committing the full budget to getting it made.

04 - MADE
We see it through to completion

From casting to final delivery - we stay in it. Go South Films handles the production infrastructure, legal structure, and distribution strategy. You focus on the film. If we can't find a script worth producing, your entry fee is refunded.

Simple rules. Real consequences.

Key Dates

Jan 15, 2027
Submissions Open
Early Bird rate begins
Apr 15, 2027
Submissions Close
Feasibility review begins
Jun 30, 2027
Top 15 Announced
Semifinalists publicly announced
Aug 2027
Winners Announced
Gold, Silver & Bronze

Submission Requirements

  • Feature screenplay, 75–115 pages, PDF format
  • Original, unproduced work - not optioned, sold, or in production
  • Feature screenplays with a viable micro-budget production path
  • One submission per entrant
  • No revisions or substitutions accepted after submission. To submit a revised draft, resubmit as a new entry with a new fee.
  • Three project questions required at submission - outline, budget case, creative notes
  • Writer must own 100% of the rights at time of submission
  • Co-written scripts are eligible - list all writers at submission. The total creator position remains 5% regardless of the number of writers.
  • Open worldwide - English language submissions only
  • Open to writers worldwide. You must be 18 years of age or older at the time of submission
  • Go South Films retains final approval on all creative and production decisions as producer of the winning project

Disqualification Criteria

  • Scripts previously optioned, sold, or produced in any form
  • Adaptations without documented rights clearance
  • Scripts clearly requiring studio-level budgets with no realistic micro-budget path
  • Incomplete submissions - missing script or incomplete form
  • If the selected winner declines or cannot enter the production agreement, Go South Films reserves the right to select the next qualifying script from the jury shortlist
  • Multiple submissions from same writer under different names
  • Scripts not authored by the submitting writer

Feasibility Check

Every script undergoes a feasibility review before reaching the jury. We assess whether your story can realistically be produced as a micro-budget film. There is no fixed number - the simpler and more contained the story, the stronger the case. Your outline and budget case are where you make that argument.

Three winners. One gets made.

From the Top 15 Semifinalists, the jury selects three award recipients. The Gold winner's script goes into production. Silver and Bronze receive cash prizes, official laurels, and a private one-on-one session with a member of the jury.

Gold
Your film
gets made.
  • Full production by Go South Films, LLC
  • Associate producer credit on the finished film
  • 5% of net profits, documented in writing before signing
  • Official Gold laurel
Silver
$1,000
  • $1,000 USD cash prize
  • One-on-one session with a jury member
  • Official Silver laurel
Bronze
$500
  • $500 USD cash prize
  • One-on-one session with a jury member
  • Official Bronze laurel
How Winners Are Announced

All three winners are contacted privately before any public announcement. Once the production agreement is signed, Go South Films announces Gold, Silver, and Bronze together. Cash prizes for Silver and Bronze are paid at the same time.

Simple ownership. Fully transparent.

The winning writer receives an associate producer credit and 5% of net profits. Go South Films finances and produces the film. Here is how the ownership is structured.

Win. Get your film made.
Earn 5% of net profits. In writing. Upon signing.

How the money works

Your ownership stake in the film
Every key person on the film holds a percentage of future revenue. When the film generates revenue, it is divided like this:
5%
Creator
The winning writer. Fixed. Protected.
5%
Cast
Split across principal cast at production.
10%
Producers
Allocated by Go South Films to key contributors.
20%
Contingency
Reserved for DP, editor, name talent, co-producers.
60%
Go South Films
Majority stake. Final say on creative and production decisions.

The winning writer receives 5% of net profits, documented in the production agreement before signing. If the script has multiple writers the 5% is split equally between all credited writers. Go South Films holds the majority stake and has final say on all creative and production decisions. You have 30 days to review the full terms.

Your data. Your rights.

This policy explains what personal information Go South Films, LLC collects, how we use it, who we share it with, and the rights you have over your data. We do not sell your data, use it for advertising, or share it outside of contest administration.

Submit your screenplay.

Submission Tiers

Early Bird
$79
Jan 15 – Feb 14
Regular
$99
Feb 15 – Mar 16
Late
$119
Mar 17 – Apr 15

All tiers include the same full review. A $9 processing fee applies to all submissions regardless of outcome.

Your Project - Answer These Three Questions

Upload Your Files

📄

Drop your PDF here or click to browse

By clicking Submit & Pay you will be redirected to our secure payment page. If no winning script is selected, your entry fee is refunded automatically minus the $9 processing fee.

Check the agreement box above to enable submission.

Real people. Real taste.

Every script that passes feasibility review is read by this jury. No paid readers. No algorithms. People who have actually made things - on budgets that required creativity, not just cash - and who believe a great genre concept is the most powerful thing in independent film right now.

Thomas Simon
Thomas Simon
Director · DP · Founder
IMDb

A commercial director and cinematographer with over 15 years working for brands including Louis Vuitton, Nike, Apple, and Mercedes-Benz. His debut feature Iron Dan, a road drama starring Clayne Crawford, marks his arrival as a narrative filmmaker with a distinctive visual voice. He founded Go South Films and created Made to find the stories the industry keeps missing.

Rosanne Milliken
Rosanne Milliken
Producer
IMDb

Producer of Tucker & Dale vs. Evil, the cult genre breakout that proved a smart, contained horror-comedy could outpace far bigger films. Across more than thirty producer credits spanning horror, thriller, and independent drama, Rosanne has spent her career building films that punch above their budgets. She brings the producer's eye to every script she reads: not just is this a good story, but can this story be made, and made well.

A.P. Boland
A.P. Boland
Writer · Filmmaker
IMDb

A graduate of the American Film Institute's MFA program in Screenwriting, A.P. Boland trained at the intersection of genre craft and independent filmmaking, with experience at Dark Castle Entertainment and Ghost House Productions. An accomplished screenwriter currently in production on a horror anthology feature, he reads scripts with a genre-rooted eye for structure, dread, and what actually works on a lean budget.

Aaron Jay Rome
Aaron Jay Rome
Actor · Writer · Director
IMDb

Aaron Jay Rome has built a career on both sides of the camera, with acting credits in Get on Up, Hot Tub Time Machine 2, and The Vampire Diaries. A working writer and director based in New Orleans, he co-wrote, co-produced, and co-directed the feature Sulfur and the series Hopper & Finch. He reads scripts the way an actor does - for truth in character and dialogue first.

Kyle Walczak
Kyle Walczak
Editor
IMDb

An Emmy Award-winning editor whose credits span Thor: Love and Thunder, Godzilla vs. Kong, and work alongside producer Chuck Roven and director David O. Russell. Kyle has cut features, documentaries, commercials, and pilots across every budget level. He reads scripts for what will actually cut together as a finished film - not just what reads well on the page.

Made by Go South Films.

Go South Films is a Los Angeles-based independent production company founded by director and cinematographer Thomas Simon. We make films, commercials, and branded work for clients including Louis Vuitton, Nike, Apple, and Mercedes-Benz. Made is our first contest, but it is not our first project. We have produced seven short genre films across horror, thriller, and drama, with several award winners along the way. Our work has played at festivals including HollyShorts (Academy Qualifying), Nashville Film Festival, Knoxville Horror (Best Director), Aesthetica Film Festival, Nightmares Film Festival, and Another Hole in the Head (Audience Award). We are currently in post-production on our first feature film.

Why we built this

The independent film industry has been telling writers the same story for thirty years: write the spec, win the contest, hope someone pays attention. Most contests end with a check and a laurel. Most laurels end in a drawer.

We built Made because we believe a great script, executed at a micro-budget level, is the most viable path to making something the industry actually wants. Our job is to find that script and produce it the way we produce everything else: with craft, with care, and with the full resources of a working production company behind it.

Go South Films on IMDb →
Thomas Simon on set
On set
On set
On set
On set

From Iron Dan and other Go South Films productions

Frequently asked.

What happens if no winning script is selected? +
If the jury determines no submitted script meets the standard required to make a film worth making, your entry fee is refunded automatically minus the $9 processing fee. Refunds are processed within 90 days of Go South Films' written determination that the contest cannot proceed to production. You don't need to request it. No other contest offers this. We do because we'd rather give your money back than make something we're not proud of.
Why does Go South Films have final approval on director and cast? +
Because we are producing and investing the prize pool, we have a responsibility to ensure the film gets made well. This isn't about overriding your vision - it's about protecting the project. If you want to direct your own script, make that case in your creative notes. If you have a director in mind, tell us. Our approval exists to prevent situations where an unqualified attachment puts the production at risk.
Do I keep my rights if I enter? +
Yes, completely. You retain 100% of the rights to your script at all times. The only right you grant us is to read and assess your script for the purposes of this competition. If you don't win, that limited license terminates. We never option, produce, or exploit your script without a separate signed agreement.
Can I submit if I'm a first-time director or writer? +
Yes. We don't require credits or experience. What we do require is a compelling script and honest answers to the three submission questions. Evidence of visual thinking - short films, photography, other work - can be referenced in your creative notes.
What are the Gold, Silver, and Bronze awards? +
The jury selects three award recipients from the Top 15 Semifinalists. Gold is the primary prize: Go South Films produces the winning script as a micro-budget feature film. The Gold winner receives an associate producer credit, 5% of net profits, and an official Gold laurel. Silver receives $1,000 USD, a one-on-one session with a jury member, and an official Silver laurel. Bronze receives $500 USD, a one-on-one session with a jury member, and an official Bronze laurel. All three are announced publicly at the same time, after the Gold production agreement is signed.
What does winning Gold actually mean for my script? +
Go South Films produces the film. We finance it, crew it, cast it, and deliver it. The Gold winner receives an associate producer credit and 5% of net profits. That is the prize: your script gets made by a professional production company with the full budget behind it. We handle the production. You wrote the film.
What if the budget pool is lower than expected - can my film still get made? +
Yes, and this is by design. We work with you to stretch the budget through in-kind contributions - post house relationships, equipment favors, actor relationships. A smaller prize pool is a floor, not a ceiling. The strength of a contained script often makes the difference.
Will I receive feedback on my submission? +
The goal of this contest is to make a film, not to provide coverage or feedback. AI tools are pretty good at that, and there are plenty of paid services that do it well. Scripts that don't pass the feasibility review receive a brief note explaining why - that's it. The jury's decisions are final.
Can I submit a script I've entered in other contests? +
Yes, as long as the script has not been optioned, sold, or produced. Entering other competitions does not disqualify your submission here.
I'm a writer-director. Do I get more than 5% since I'm doing both jobs? +
No. The 5% creator point belongs to the owner of the script, regardless of what role you take on in production. Whether you write it, direct it, or both - the creator position is 5%, fixed. This keeps the structure simple and fair across every project. Your upside as director comes from making a film that sells, not from negotiating extra points.
Where does the film get made? Will I be on set? +
We aim to shoot in the US, but the final location depends on the scope and needs of the winning script. Micro-budget productions live and die on travel and accommodation costs, so practical decisions get made accordingly. The intention is to keep the creator involved in the creative decisions at every step - we want you there, in the room, contributing. But we also have a film to make on a budget, and we'll make every effort to keep your involvement tangible within that reality.
What if I win but we disagree on how the film should be made? +
Then you don't have to sign the production agreement. No pressure, no hard feelings. Your rights stay with you entirely - we retain nothing. We move on to the next best project in the pool. This is a creative partnership, not a trap. If we can't find common ground on the vision, forcing it serves nobody.
Plenty of platforms make similar promises. Why should I trust you? +
Fair question. Here is the honest answer.

Independent filmmakers face two problems that nobody has genuinely solved. The first is getting a great script noticed by people with the power to make it. The second is getting it financed. Most platforms address one, badly, and ignore the other entirely. Screenplay contests have a long track record of awarding prizes that rarely translate into anything tangible - a cash prize gets absorbed into rent, a laurel gets added to a query letter, and the script sits in a drawer. Crowdfunding puts the burden on the filmmaker to already have an audience before making the thing that would build one. It is a broken model for most people trying to break through.

We are not claiming to have all the answers. What we are doing is trying something different - a model where the community of writers funds the prize, the prize is a made film rather than a check, and the production company putting its name on the project has real skin in the game. Go South Films takes a producer fee and owns the majority stake. That is standard practice for any production company financing a film. What is not standard is the model itself.

Is it still a gamble? Yes. Filmmaking is always a gamble. But this is a lottery ticket where the prize is your project actually getting produced, with a real production company behind it and a real budget to do it with. No other contest can say that. We are trying to be the thing we wished existed when we were the ones with a script and no path forward. Whether we earn your trust is up to us to prove - starting with the first film we make.
What happens after the film gets made? What are the distribution plans? +
The goal first and foremost is to make a great film. Everything else follows from that. A bad film with a great distribution strategy is still a bad film.

If we have something worth showing - and that is always the intention - we will reserve a portion of the budget specifically for festival submissions, targeted to the festivals that make sense for the film's genre, tone, and audience. Not a scatter-shot approach. The right festivals for the right film, with the goal of premiering it in front of a real audience and ideally securing a sale or distribution deal.

There is no certainty in the film business. Anyone who tells you otherwise is lying. What we can promise is that we will treat the film seriously, submit it to the right places, and do everything in our power to get it seen. The rest is up to the film itself.
What happens if the Gold winner can't or won't make the film? +
The production rights pass to the Silver winner, who is offered the same production agreement under the same terms. If Silver also declines, the rights pass to Bronze. If all three pass, Go South Films selects the next qualifying script from the jury shortlist. No submission fees are affected at any stage. The prize pool remains intact and goes toward producing whichever project moves forward.
What if my script was written by more than one person? +
Co-written scripts are welcome. List all writers at submission. The 5% creator backend is split equally between all credited writers - two writers get 2.5% each, three writers get 1.67% each, and so on. The total creator position stays at 5% regardless of how many writers are attached. All co-writers must have authorized the submission.